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A Letter to Momo

Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…

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Cannibal

Visually striking and confident but frustratingly hollow in terms of character and narrative.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Donald Liebenson

Donald Liebenson

Donald Liebenson is a Chicago-based film critic, entertainment writer and DVD reviewer. He has been published in The Chicago Tribune, The Chicago Sun-Times, Printer's Row Journal, Los Angeles Times, Movieline and Entertainment Weekly. He also contributed to VideoHound's Cult Flicks & Trash Pics and Sci-Fi Experience; Your Quantum Guide to the Video Universe, and The International Dictionary of Films and Filmmakers, Volume 3: Actors and Actresses.

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When Comedy Went to School

(2013)

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Still Mine

(2013)

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Andre Gregory: Before and After Dinner

(2013)

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Kon-Tiki

(2013)

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Hava Nagila: The Movie

(2012)

Paul Williams Still Alive; movie not so much

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"Paul Williams Still Alive" (87 minutes) will be available on VOD October 16th via (Comcast, Time Warner, Cox, Bright House, among other cable providers), iTunes, VUDU, YouTube, Amazon, Sony (Playstation), Microsoft (Zune, Xbox), Blockbuster, AT&T, DirecTV, DISH.

by Donald Liebenson

In begrudgingly recommending "Paul Williams Still Alive" to his legion of fans, I am reminded of a Rolling Stone magazine review of Janis Joplin's first solo album, "I Got Dem Ol' Kozmic Blues Again Mama!" Janis never sounded better, the reviewer said, but to enjoy her, you had to be able to tune out her backup band. A similar caveat is necessary here. Enjoyment of "Still Alive" will depend on your tolerance of writer-director Stephen Kessler, who takes Williams' joke at one point that the documentary could become the "Paulie and Steve Show" as a carte blanche invitation to intrude on the proceedings.

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